Post Production was the theme of October's session, interpreted by Sean McDonnell and Ray Higginbottom in two distinctive ways.
Sean took Chris Dorley-Brown's work The Corners as a starting point to look at photo manipulation, its motivations and consequences, Taking examples from the origins of photography to the present, Sean raised questions about the use of post production in documentary photography and photojournalism.
Ray took us on a personal journey, showing the group the evolution of his work from darkroom montages to triptychs and intricate digital post production techniques. He discussed the early influences of Gilbert Garcin and Robert Tuschman and also referenced the work of Maggie Taylor. To round off a fascinating talk Ray gave a live Photoshop tutorial showing how he combined a landscape at Dungeness with other photographs and textures drawn from his archive to create a unique final image.
Frankie McAllister then shared some of her atmospheric images created during lockdown.